Using the raw material to support your position in arts and humanities

Using the raw material to support your position in arts and humanities

Although arts and humanities writing is subjective, you still need to defend your position. Your task is to use the text or work as a starting point for a line of inquiry. Your writing may consider many different angles, including the content, language and tone; references within the work; and historical and cultural context.

Some subdisciplines can produce writing that appears to stand alone and requires little in the way of explicit sources, such as writing in philosophy with a focus on abstractions (although, even in this case, there is a tradition of thought that informs the writing). Other subdisciplines rely on a wide variety of sources. For example, in history and cultural studies, primary and secondary sources of many kinds – from private journals to institutional records such as censuses – are examined to inform interpretations. 

As you assess the raw material, you may select information that supports your proposition and illustrates your interpretation. This selection does not have to be systematic. In scientific writing, a nonsystematic method of selecting supporting information would be rightly criticised as ‘cherry picking’. Arts and humanities writers must flesh out their interpretation persuasively and be honest and forthright about their sourcing, but do not have an ethical obligation to communicate in a systematic way.

Caution! If you are writing about a text, quotations are necessary but not sufficient – your own analysis must be included with each quotation so that it is contextualised. Your task is to explain the significance of the passages you choose. They should be illustrative rather than decorative.

Be careful with quotes: each one must be checked for accuracy and attributed properly.

Note: Although most arts and humanities writing does not lend itself to providing a ‘proof’, one exception must be noted: the formal language used for proofs or refutations in philosophical logic. These differ from the arguments presented in other arts and humanities contexts because they are presented as a self-contained series of statements that, taken together, aim to provide conclusive evidence for a logical position. Proofs are only as valid as the statements that form them, and can only show what can be proven within a paradigm.

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